Landscapes of memory: the first visual images of the Bororo of Central Brazil

Abstract The opportunity of exhibiting in a Bororo village in Central Brazil the film Matto Grosso, the Great Brazilian Wilderness (1931), and translating into Portuguese this typical travelogue and widely considered to be the first documentary with synchronized sound, led the authors to analyze visual images on the Bororo society made in the first decades of the XX century. The article focuses on how visual images - films and photographs - frequently show the intentions of the author and on the other hand may enhance memories and create a particular relationship with the past and history of a people.

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Bibliographic Details
Main Authors: Cunha,Edgar Teodoro da, Novaes,Sylvia Caiuby
Format: Digital revista
Language:English
Published: Associação Brasileira de Antropologia (ABA) 2019
Online Access:http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412019000100203
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spelling oai:scielo:S1809-434120190001002032019-09-10Landscapes of memory: the first visual images of the Bororo of Central BrazilCunha,Edgar Teodoro daNovaes,Sylvia Caiuby visual anthropology Bororo Indians Brazil documentaries and travelogues photographs Penn Museum archive Abstract The opportunity of exhibiting in a Bororo village in Central Brazil the film Matto Grosso, the Great Brazilian Wilderness (1931), and translating into Portuguese this typical travelogue and widely considered to be the first documentary with synchronized sound, led the authors to analyze visual images on the Bororo society made in the first decades of the XX century. The article focuses on how visual images - films and photographs - frequently show the intentions of the author and on the other hand may enhance memories and create a particular relationship with the past and history of a people.info:eu-repo/semantics/openAccessAssociação Brasileira de Antropologia (ABA)Vibrant: Virtual Brazilian Anthropology v.16 20192019-01-01info:eu-repo/semantics/articletext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412019000100203en10.1590/1809-43412019v16a202
institution SCIELO
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country Brasil
countrycode BR
component Revista
access En linea
databasecode rev-scielo-br
tag revista
region America del Sur
libraryname SciELO
language English
format Digital
author Cunha,Edgar Teodoro da
Novaes,Sylvia Caiuby
spellingShingle Cunha,Edgar Teodoro da
Novaes,Sylvia Caiuby
Landscapes of memory: the first visual images of the Bororo of Central Brazil
author_facet Cunha,Edgar Teodoro da
Novaes,Sylvia Caiuby
author_sort Cunha,Edgar Teodoro da
title Landscapes of memory: the first visual images of the Bororo of Central Brazil
title_short Landscapes of memory: the first visual images of the Bororo of Central Brazil
title_full Landscapes of memory: the first visual images of the Bororo of Central Brazil
title_fullStr Landscapes of memory: the first visual images of the Bororo of Central Brazil
title_full_unstemmed Landscapes of memory: the first visual images of the Bororo of Central Brazil
title_sort landscapes of memory: the first visual images of the bororo of central brazil
description Abstract The opportunity of exhibiting in a Bororo village in Central Brazil the film Matto Grosso, the Great Brazilian Wilderness (1931), and translating into Portuguese this typical travelogue and widely considered to be the first documentary with synchronized sound, led the authors to analyze visual images on the Bororo society made in the first decades of the XX century. The article focuses on how visual images - films and photographs - frequently show the intentions of the author and on the other hand may enhance memories and create a particular relationship with the past and history of a people.
publisher Associação Brasileira de Antropologia (ABA)
publishDate 2019
url http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412019000100203
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