The imaginary of Brazilian popular music
During the early half of the twentieth century there was in Brazil a proliferation of songs which depicted this periods imaginary. Songs that made up the Brazilian Popular Music (MPB, Música Popular Brasileira) - name given to the ensemble of sambas, chorinhos and Carnival marchas for this period - foregrounded three themes: work, women, and money. Work is rejected, while malandragem is praised. Women are powerful, capable of either encouraging men to accomplish deeds on the streets because they are loved at home, or immobilizing them by betrayal. Money is worth less than love, but it is nonetheless a necessary good. Since it is difficult to earn enough from work, there is, at once, an increasing awareness of the importance of money and the proposal of magical solutions for minimizing its scarcity.
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Format: | Digital revista |
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Associação Brasileira de Antropologia (ABA)
2011
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oai:scielo:S1809-434120110001000072012-05-22The imaginary of Brazilian popular musicOliven,Ruben George Brazilian Popular Music samba Brazilian imaginary work gender relations money During the early half of the twentieth century there was in Brazil a proliferation of songs which depicted this periods imaginary. Songs that made up the Brazilian Popular Music (MPB, Música Popular Brasileira) - name given to the ensemble of sambas, chorinhos and Carnival marchas for this period - foregrounded three themes: work, women, and money. Work is rejected, while malandragem is praised. Women are powerful, capable of either encouraging men to accomplish deeds on the streets because they are loved at home, or immobilizing them by betrayal. Money is worth less than love, but it is nonetheless a necessary good. Since it is difficult to earn enough from work, there is, at once, an increasing awareness of the importance of money and the proposal of magical solutions for minimizing its scarcity.info:eu-repo/semantics/openAccessAssociação Brasileira de Antropologia (ABA)Vibrant: Virtual Brazilian Anthropology v.8 n.1 20112011-06-01info:eu-repo/semantics/articletext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412011000100007en10.1590/S1809-43412011000100007 |
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Oliven,Ruben George |
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Oliven,Ruben George The imaginary of Brazilian popular music |
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Oliven,Ruben George |
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Oliven,Ruben George |
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The imaginary of Brazilian popular music |
title_short |
The imaginary of Brazilian popular music |
title_full |
The imaginary of Brazilian popular music |
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The imaginary of Brazilian popular music |
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The imaginary of Brazilian popular music |
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imaginary of brazilian popular music |
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During the early half of the twentieth century there was in Brazil a proliferation of songs which depicted this periods imaginary. Songs that made up the Brazilian Popular Music (MPB, Música Popular Brasileira) - name given to the ensemble of sambas, chorinhos and Carnival marchas for this period - foregrounded three themes: work, women, and money. Work is rejected, while malandragem is praised. Women are powerful, capable of either encouraging men to accomplish deeds on the streets because they are loved at home, or immobilizing them by betrayal. Money is worth less than love, but it is nonetheless a necessary good. Since it is difficult to earn enough from work, there is, at once, an increasing awareness of the importance of money and the proposal of magical solutions for minimizing its scarcity. |
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Associação Brasileira de Antropologia (ABA) |
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2011 |
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http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412011000100007 |
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AT olivenrubengeorge theimaginaryofbrazilianpopularmusic AT olivenrubengeorge imaginaryofbrazilianpopularmusic |
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