The imaginary of Brazilian popular music

During the early half of the twentieth century there was in Brazil a proliferation of songs which depicted this period’s imaginary. Songs that made up the Brazilian Popular Music (MPB, Música Popular Brasileira) - name given to the ensemble of sambas, chorinhos and Carnival marchas for this period - foregrounded three themes: work, women, and money. Work is rejected, while malandragem is praised. Women are powerful, capable of either encouraging men to accomplish deeds on the streets because they are loved at home, or immobilizing them by betrayal. Money is worth less than love, but it is nonetheless a necessary good. Since it is difficult to earn enough from work, there is, at once, an increasing awareness of the importance of money and the proposal of magical solutions for minimizing its scarcity.

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Bibliographic Details
Main Author: Oliven,Ruben George
Format: Digital revista
Language:English
Published: Associação Brasileira de Antropologia (ABA) 2011
Online Access:http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412011000100007
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spelling oai:scielo:S1809-434120110001000072012-05-22The imaginary of Brazilian popular musicOliven,Ruben George Brazilian Popular Music samba Brazilian imaginary work gender relations money During the early half of the twentieth century there was in Brazil a proliferation of songs which depicted this period’s imaginary. Songs that made up the Brazilian Popular Music (MPB, Música Popular Brasileira) - name given to the ensemble of sambas, chorinhos and Carnival marchas for this period - foregrounded three themes: work, women, and money. Work is rejected, while malandragem is praised. Women are powerful, capable of either encouraging men to accomplish deeds on the streets because they are loved at home, or immobilizing them by betrayal. Money is worth less than love, but it is nonetheless a necessary good. Since it is difficult to earn enough from work, there is, at once, an increasing awareness of the importance of money and the proposal of magical solutions for minimizing its scarcity.info:eu-repo/semantics/openAccessAssociação Brasileira de Antropologia (ABA)Vibrant: Virtual Brazilian Anthropology v.8 n.1 20112011-06-01info:eu-repo/semantics/articletext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412011000100007en10.1590/S1809-43412011000100007
institution SCIELO
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country Brasil
countrycode BR
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libraryname SciELO
language English
format Digital
author Oliven,Ruben George
spellingShingle Oliven,Ruben George
The imaginary of Brazilian popular music
author_facet Oliven,Ruben George
author_sort Oliven,Ruben George
title The imaginary of Brazilian popular music
title_short The imaginary of Brazilian popular music
title_full The imaginary of Brazilian popular music
title_fullStr The imaginary of Brazilian popular music
title_full_unstemmed The imaginary of Brazilian popular music
title_sort imaginary of brazilian popular music
description During the early half of the twentieth century there was in Brazil a proliferation of songs which depicted this period’s imaginary. Songs that made up the Brazilian Popular Music (MPB, Música Popular Brasileira) - name given to the ensemble of sambas, chorinhos and Carnival marchas for this period - foregrounded three themes: work, women, and money. Work is rejected, while malandragem is praised. Women are powerful, capable of either encouraging men to accomplish deeds on the streets because they are loved at home, or immobilizing them by betrayal. Money is worth less than love, but it is nonetheless a necessary good. Since it is difficult to earn enough from work, there is, at once, an increasing awareness of the importance of money and the proposal of magical solutions for minimizing its scarcity.
publisher Associação Brasileira de Antropologia (ABA)
publishDate 2011
url http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412011000100007
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