The Nuevo cancionero: A change of paradigm in argentine folklore

Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.

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Bibliographic Details
Main Author: Díaz, Claudio Fernando
Format: bookPart biblioteca
Language:eng
Published: 2016
Subjects:FOLKLORE, DISCURSO, NUEVO CANCIONERO, PARADIGMA,
Online Access:http://hdl.handle.net/11086/548896
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spelling dig-unc-ar-11086-5488962023-09-20T13:22:25Z The Nuevo cancionero: A change of paradigm in argentine folklore Díaz, Claudio Fernando FOLKLORE DISCURSO NUEVO CANCIONERO PARADIGMA Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina. A field of cultural production that was gradually established in Argentina since the mid twentieth century as part of the more general evolution of the communications media and mass culture came to controversially be called “folklore” in the social imaginary. Quite a number of scholars have shown the difference between this type of musical expression, which pertains to mass culture, and authentically folkloric phenomena--no matter how they are defined. Despite these issues, the “folklore” connected to the recording industry and big Argentine festivals like Cosquín and Jesús María has continued to evolve, is still called “folklore” and is an important type of popular music in Argentina. As I have mentioned elsewhere, I propose that Argentine folklore be studied as a specific field of cultural production--in other words, as a system of social relations having its own rules of production and consecration. Because this field of discursive production is part of the cultural industry’s overall production of popular music, its game rules are very different from the ones found in the sociocultural areas where the musical genres comprising the larger field of popular music originally came from. However, like all fields of discursive cultural production, folklore operates according to the principle of competition for legitimacy, which evolved per specific rules and is based upon specific ideals regarding conseration. These rules are not arbitrary; instead, they were gradually constructed by means of the battles that impacted the field’s formative process from the 1920s on. This is how the “classic” paradigm of production -as I call it--specific to the field of folklore was constructed. Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina. Ciencias Sociales Interdisciplinarias 2023-09-12T19:01:38Z 2023-09-12T19:01:38Z 2016 bookPart 978-0-252-09843-7 http://hdl.handle.net/11086/548896 eng Attribution-NonCommercial-ShareAlike 4.0 International http://creativecommons.org/licenses/by-nc-sa/4.0/ Impreso
institution UNC AR
collection DSpace
country Argentina
countrycode AR
component Bibliográfico
access En linea
databasecode dig-unc-ar
tag biblioteca
region America del Sur
libraryname Biblioteca 'Ing. Agrónomo Moisés Farber' de la Facultad de Ciencias Agropecuarias
language eng
topic FOLKLORE
DISCURSO
NUEVO CANCIONERO
PARADIGMA
FOLKLORE
DISCURSO
NUEVO CANCIONERO
PARADIGMA
spellingShingle FOLKLORE
DISCURSO
NUEVO CANCIONERO
PARADIGMA
FOLKLORE
DISCURSO
NUEVO CANCIONERO
PARADIGMA
Díaz, Claudio Fernando
The Nuevo cancionero: A change of paradigm in argentine folklore
description Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.
format bookPart
topic_facet FOLKLORE
DISCURSO
NUEVO CANCIONERO
PARADIGMA
author Díaz, Claudio Fernando
author_facet Díaz, Claudio Fernando
author_sort Díaz, Claudio Fernando
title The Nuevo cancionero: A change of paradigm in argentine folklore
title_short The Nuevo cancionero: A change of paradigm in argentine folklore
title_full The Nuevo cancionero: A change of paradigm in argentine folklore
title_fullStr The Nuevo cancionero: A change of paradigm in argentine folklore
title_full_unstemmed The Nuevo cancionero: A change of paradigm in argentine folklore
title_sort nuevo cancionero: a change of paradigm in argentine folklore
publishDate 2016
url http://hdl.handle.net/11086/548896
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