Handbook of Recording Engineering [electronic resource] /

The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit­ nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro­ phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in­ structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi­ crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.

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Main Authors: Eargle, John. author., SpringerLink (Online service)
Format: Texto biblioteca
Language:eng
Published: Dordrecht : Springer Netherlands, 1986
Subjects:Science., Science, general.,
Online Access:http://dx.doi.org/10.1007/978-94-010-9366-8
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spelling KOHA-OAI-TEST:2174552018-07-30T23:53:53ZHandbook of Recording Engineering [electronic resource] / Eargle, John. author. SpringerLink (Online service) textDordrecht : Springer Netherlands,1986.engThe Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit­ nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro­ phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in­ structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi­ crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.1. Acoustical Fundamentals for the Recording Engineer -- 2. Microphones -- 3. Basic Stereophonic Imaging Techniques -- 4. Audio Transmission Systems -- 5. Monitor Loudspeakers and the Monitoring Environment -- 6. Signal Processing Devices and Applications -- 7. Classical Recording Production Techniques -- 8. Popular Record Production Techniques -- 9. Analog Magnetic Recording -- 10. Analog Disc Recording and Reproduction -- 11. Digital Recording -- 12. The Low-Cost Studio: An Overview.The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit­ nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro­ phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in­ structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi­ crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.Science.Science.Science, general.Springer eBookshttp://dx.doi.org/10.1007/978-94-010-9366-8URN:ISBN:9789401093668
institution COLPOS
collection Koha
country México
countrycode MX
component Bibliográfico
access En linea
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databasecode cat-colpos
tag biblioteca
region America del Norte
libraryname Departamento de documentación y biblioteca de COLPOS
language eng
topic Science.
Science.
Science, general.
Science.
Science.
Science, general.
spellingShingle Science.
Science.
Science, general.
Science.
Science.
Science, general.
Eargle, John. author.
SpringerLink (Online service)
Handbook of Recording Engineering [electronic resource] /
description The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit­ nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro­ phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in­ structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi­ crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.
format Texto
topic_facet Science.
Science.
Science, general.
author Eargle, John. author.
SpringerLink (Online service)
author_facet Eargle, John. author.
SpringerLink (Online service)
author_sort Eargle, John. author.
title Handbook of Recording Engineering [electronic resource] /
title_short Handbook of Recording Engineering [electronic resource] /
title_full Handbook of Recording Engineering [electronic resource] /
title_fullStr Handbook of Recording Engineering [electronic resource] /
title_full_unstemmed Handbook of Recording Engineering [electronic resource] /
title_sort handbook of recording engineering [electronic resource] /
publisher Dordrecht : Springer Netherlands,
publishDate 1986
url http://dx.doi.org/10.1007/978-94-010-9366-8
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